MAMMA MIA!

“Tony Clements…brings a touch of
much needed complexity

to Sam while at the same time being
the most charming of the three dads
.”

- Steven Hyden
APPLETON POST-CRESCENT

  “Clements' Sam is appealingly bruised
- Pohla Smith
PITTSBURGH POST-GAZETTE

“Clements molds ‘Knowing Me, Knowing You’ into
a touching account of marital collapse
…”

- Judith Newmark
ST. LOUIS POST-DISPATCH

"A solid cast...The three potential dads are given
distinguishing quirks by Milo Shandel
as the footloose Aussie Bill Austin;
Ian Simpson as the awkward Brit Harry Bright;
and Tony Clements as the
earnest architect Sam Carmichael."
-Rita Moran
VENTURA COUNTY STAR

"On peut alléguer que la plupart des chansons
d'Abba étaient interprétées - et composées - pour dames.

Elles ne sont donc pas à la portée de toutes les cordes
vocales masculines -
bien qu'elles conviennent
fort bien à celles de Tony Clements

(Sam, le chouchou parmi les trois papas potentiels)."
 - Sonia Sarfati
LA PRESSE - MONTREAL

“Tony Clements … moves the audience
in his heartfelt ‘S.O.S.”

- Pam Harbaugh
FLORIDA TODAY

    “Tony Clements displays a winning genuineness
and contributes a valuable sweetness to the sassy show.”

- Damien Jaques

MILWAUKEE JOURNAL-SENTINAL

    “The would-be daddies are also strong,
especially Mr. Clements as the sensitive, rueful Sam…”

- Jayne Blanchard
WASHINGTON TIMES

“Tony Clements had you quietly rooting for Sam…”
- Denise Pringle
WASHINGTON EXAMINER

"The cast is made up of appealing performers...
as the architect Sam,
Tony Clements is warm and likable..."
-Pam Kragen
SAN DIEGO NORTH COUNTY TIMES

“Clements actually probe(s) for some dramatic depth…”
- Larry L. Kubert
LINCOLN STAR-JOURNAL

“Tony Clements takes this opportunity
to make the part of the one possible father
who actually ends up in a wedding ceremony
very much his own
.”

- Brad Hathaway
POTOMIC STAGES

FLOYD COLLINS

"Skylight's casting was inspired...

Tony Clements, as Floyd Collins, was onstage throughout
as a strong, winning, central presence..."
- Lawrence Singer
OPERA NEWS

Tony Clements' Floyd is vocally superb
as he convincingly conveys the character's flights of joy,
fits of frustration and ultimate acceptance of his fate.”

- Damien Jaques

MILWAUKEE JOURNAL-SENTINAL


"It is difficult to imagine this pivitol role better cast. 
Clements’ Floyd is an all too human creation,
wonderfully expressing the character’s
initial innocence and fervor,
then capturing each stage of acceptance
as he learns his fate."
Karl M. Szatmary
- INSTEP MILWAUKEE

 "Clements embodies the crazed explorer...
his voice rings with purity..."

- Marilyn Jozwik
CNI NEWSPAPERS

"Tony Clements brings true conviction to Floyd."
- Gordon Spencer
SHEPHARD EXPRESS

“Tony Clements does a remarkable job as Floyd Collins.”
- David Doll
ONMILWAUKEE.COM

“Tony Clements is everything
one could wish for
in a leading man."
- Anne Siegel
TOTALTHEATER.COM

MORE...

ANGELS IN AMERICA

"...better than his predecessors
in the Broadway and Chicago productions

...Clements brings an inner strength, proud dignity
and likability
to the role that precludes even
the slightest hint
of him being a victim.
When he optimistically proclaims, 'The great work begins'

as the play's final lines, Clements' Walter has
a genuine credibility for speaking those lines."
- Damien Jaques
MILWAUKE JOURNAL-SENTINAL

"Tony Clements makes (Prior Walter)
thoroughly genuine and sympathetic."
- Gordon Spencer
MILWAUKEE'S SHEPHARD EXPRESS

"
Tony Clements has a plapable dignity about him
even when he is being petulant and whimsical."
- Julie Mchale
THE WAUKESHA FREEMAN

THE SPITFIRE GRILL

"Tony Clements delivers a gentle-spirited Sheriff Sutter,
creating the sort of genuine "nice guy" that role needs.
"
- Elaine Schmidt
MILWAUKE JOURNAL-SENTINAL

"The rest of the cast shines as well,
from Tony Clements as the sheriff with a soft spot,
to Elizabeth Moliter's role as Shelby...
"
- Harry Cherkinian
MILWAUKEE'S SHEPHARD EXPRESS


"The musical standouts in the cast are
Tony Clements and Elizabeth Moliter.
They are the most melodic and
seem most comfortable with the score...
Among the many musical numbers,
"This Wide Woods" by Clements and (Katy) Blake
and "Wild Bird" by Moliter were the most moving.
"
- Julie McHale
THE WAUKESHA FREEMAN


MERE MORTALS

"Tony Clements plays Ed gently, sweetly
in the six-parter's more serious piece…
believing he's Degas, (he) goes whirling through city throngs,
a dizzying experience for him and for us."
-Gordon Spencer
SHEPHARD EXPRESS MILWAUKEE


WORLD GOES 'ROUND

“Harmony, syncopation and choreography
among the five (performers) were as precise as a clock…
Tony Clements attacks the humor with a gleeful enthusiasm that is infectious.”

-Damien Jaques,
MILWAUKEE JOURNAL-SENTINAL


DAMES AT SEA

"Tony Clements is on the mark
as Ruby's romantic interest, Dick.
Clements' powerful voice and Eagle Scout looks
are perfect for the role
."

- Michael Chase
 
MADISON CAPITAL TIMES

SYLVIA

"Tony Clements demonstrates an impressive versatility
by doing three different comic characters..."
- Damien Jaques
MILWAUKEE JOURNAL-SENTINAL

HELLO DOLLY

"With refreshing exuberance...Clements exhibits a smile
that surely helps win the heart of Mrs. Molloy."
- Barbara Zaferos
CNI NEWSPAPERS


"Tony Clements and Brett Ryback...
added a playfulness and awkwardness
that wonderfully balanced Vandergelder's
temper and Dolly's aggressiveness."
- Carolyn Pelissero
ONMILWAUKEE.COM


FALSETTOS

"...a superb production...
the strong cast is led by Tony Clements..."
- Damien Jaques
MILWAUKEE JOURNAL-SENTINAL

110 IN THE SHADE

"Tony Clements is delightfully loopy...
Pam Kriger's choreography reaches a clever,
Broadway caliber high with Clements' and (Becky) Spice's
comic duet 'Little Red Hat'.  It is pure magic."
- Damien Jaques
MILWAUKEE JOURNAL-SENTINAL

THE MOST HAPPY FELLA

“Tony Clements as Herman gave a
 sweet and charming performance
backed up by good singing and dancing.”
-Gordon Spencer
SHEPHARD EXPRESS MILWAUKEE

GYPSY

"The evening's most believable personality
turned out to be Tony Clements' Tulsa, who danced with
 soaring confidence and fervent yearning
through 'All I Need Is the Girl."
- Nancy Raabe
MILWAUKEE SENTINAL

A GERSHWIN SERENADE

“Tony Clements was wonderful
…his voice flexible, his style seemingly effortless….
He is a delight to watch and listen to.”
- Julie Mchale
WAUKESHA FREEMAN

OKLAHOMA

“Clements fills Will Parker with an
affecting earnestness
 - Jay Joslyn
MILWAUKEE SENTINAL

OF THEE I SING

 "Tony Clements was very strong
in the lead (Wintergreen)
with the right tempo in his movements
and a clear singing voice."

-Jess Anderson

THE ISTHMUS
 
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